My Truth

 If you had 3 minutes to communicate your truth to 100,000 people what would you say, show, and or play? 

This would be my 3 min speech:

My name is Alexia and I grew up in Athens, Greece.

I am very fortunate because I grew up in a great family with parents that loved me and supported me very much and they offered me everything anyone could dream for. I really had the perfect childhood. However, in the age of 7 my grandfather died from cancer. Even though I was really young, I was really close to my grandfather. In the beginning my parents were hesitant to talk about his death and its cause. But they decided to be honest about it and not tell us the typical lie that parents usually tell their young children like “your grandfather went on a long long journey” or “he went to heaven.” They just said the truth:  “He.Died.from.Cancer.”  I think that was the first time I heard the word “cancer” and the word “death”. I remember in his funeral even though my parents didn’t want to, I followed the crowd after we went to the church up to the point where they buried him. I didn’t understand what was really going on at first but it was definitely disturbing.

After my grandfather’s death, I started questioning almost everything around me. I was constantly over thinking things. There were nights that I couldn’t sleep because I was obsessing about the tiniest of details and role-playing different situations or scenarios about how the future may or may not play out. Therefore, I started developing many many fears especially around death and serious illnesses.

When I was 20 years old, in a span of 2 years, I experienced the death of a really close friend of mine, my mom’s battle with cancer and a major heartbreak. While I was going through these difficulties, I really tried to block all my emotions and all my negative thoughts. Everyone would tell me all of these clichés such as “think positively” or “everything happens for a reason” and I really did try to think positively. I was strong for my family, my friends and myself.

But all these suppressed emotions finally found their way out… So one day, which was probably one of the most relaxing days I had in the past few years at that time, I was literally in a Greek island with my friends on the beach, I suddenly started having difficulty breathing, my heart started racing so fast that I could hear it in my head. I thought that I was having a heart attack. I felt like I was going to die. My friends called an ambulance and I went straight to the hospital. The doctors said that everything was ok and that I just had a panic attack so I went home. However, I was so traumatized by this experience that I was constantly afraid that it was going to happen to me again and again and again. And it did happen. I suffered through panic disorder for 3 years. There were days that I couldn’t even get out of my house because I was afraid of having another panic attack. I felt depressed and helpless.

These self struggles and bad experiences have definitely hunted me for a long time and to some degree tortured my existence, however I think they have definitely shaped me, not only on the negative side but also have provided me with positive attributes. Namely a great sense of empathy towards individuals as well as the society as a whole. I found a way to use that empathy when I came across a humanitarian crisis that was unfolding at a great extent in my home country Greece and which has provided me with a sense of purpose, responsibility and impact. In February of 2016 I went to the island of Lesvos and worked as a volunteer at a refugee camp for one month.

By interacting with people that are experiencing serious loss and trauma I found a way to channel my struggles into something constructive. I could feel that even though my issues were obviously so small compared to the refugees’ struggles,  these people really felt that I could empathize with them in a different level compared to other people that had never experienced personal trauma before. We had a different kind of connection.  What really gave me strength was the smiles of those children who had lost their parents and their homes; yet somehow, their playfulness and bloom of childhood remained. Being able to give these people a reassuring smile in uncertain times and expressing my deep love and compassion for the refugees’ struggle  made me find my inner strength and control.

As one of my favorite Greek writers Nikos Kazantzakis once said “In order to succeed we must first believe that we can” so this experience I had made me gain that vital first step of believing in myself.

I realized that by worrying about something that does not yet exist I create it and every time I feed my fears I’m making them stronger. But, when I don’t obey my worries, when I talk back to them, challenge them, correct them, that’s a win for me.

So the silver lining in all this is not that I completely surpassed my anxieties because they will always be a part of who I am but it’s about adapting, finding new paths to use these anxieties into something effective and really understanding who I am and where I stand.


For this week our assignment was to create multiples of something, 5 or more. From the minute I heard multiples the first thing that came into my mind was this famous Russian toy I had when I was younger called “Babushka”, also known as a nesting doll which is a set of wooden dolls of decreasing size placed one inside another. I wanted to work with wood and thought about creating wooden jewelry boxes one inside the other where each box would have a quote from a movie and every time you open one box you would see the quote from the other smaller box on the cover and it would be like unraveling a story.

So I started by cutting some wood in the band saw and immediately realized that this was going to be a very challenging to make one box fit inside the other since it’s really hard to even create same sized boxes because it’s really hard to make all the pieces exactly the same size. So I decided to minimize the scope of my project and just make 5 same size jewelry boxes. I wanted to create 45 degree angles to put all the pieces together like a puzzle but because the pieces were very small it was really hard to do this on the Miter Saw and very dangerous. Therefore, I just made all equal sides and decided to just stick them together.


I started cutting on the Miter multiples of sheets of wood together but they were not straight at all so then I decided to redo them and use the band saw for more accuracy.

I started putting the pieces together depending on which pieces were more equal. This was really frustrating because I had to go back and re-cut a lot of them and sanded them so they can all be equal.

I sticked everything together with wood glue.

Then I went to the laser cutter to etch the quotes on the boxes. I then drilled the lids. (post to be continued I am having some issues uploading my final images)

Unreal world

This is my first trial in working with Unreal Engine. I really wish I had more time to work on building my world more because there are so many things I want to create but I just wanted to familiarize myself with the interface first and start feeling comfortable. So I spent most time watching and reading several tutorials and did some small experiments at the same time.

My Character

My main character’s name is Avra. Avra is an adventurer and she loves to dance. She is afraid of the dark. She lives in a tiny planet with her aunt Sandra. Every day she wakes up and looks at the sky with all the planets nearby.  There is something mysterious about these plantes; They disappear when it’s dark. Since she was a very young girl, she was intrigued by those planets and always imagined how they would look like…However, she had been told by her aunt her whole life that the outside world is a dangerous place. Finally, on the day of her 18th birthday she decides that it’s time to finally find out by herself what is really out there so she goes on a little adventure with the help of her best friend Syrus.

Lab 2 Create a skeleton + Animation

For this week’s lab we had to record a 37 point skeleton and play around with it in space in order to use the data for later projects.
We started off by placing all the necessary points for the skeleton to be tracked properly on all 37 points:

Once this process was done properly we moved on to do the tracking routine. Started off as usual with the T-stance and moved on.

Motion Capture from ALEXIA KYRIAKOPOULOU on Vimeo.



I saw this image from London based Japanese designer Kazuhiro Yamanaka that created an ingenious flat piece of paper that, when rolled up, transforms into a powerful flashlight. A miniature LED light is embedded within a slit and when the paper is rolled up into a cylinder the slit pops out, automatically triggering the LED light source. This is a clever way to always keep a flashlight right on your desk, as long as it doesn’t get lost amongst the other stack of papers on your desk. 



What I also really liked was the cone shape of the flashlight. I really liked the simplicity of it. Also, I I love the fact that the size is big. I believe that a  flashlight shouldn’t be small because you should be able to easily find it when you need it.  It’s more efficient and ergonomic.



I used a tilt ball switch sensor and connected it to the LED and my battery case with conductive tape so that when you tilt the flashlight it lights up. It worked! I then soldered the wires together.


3D Printing

I decided to 3D print my model since I haven’t used the 3D printer for a really long time and wanted to refresh my skills in Rhino. I broke down my 3D model into two parts. One is the main body and the other one is the lid of the flashlight. I did that also so that I can print both parts simultaneously in two different 3D printers to save time.






I am happy with my result although I think that if I had a chance to remake my flashlight I would do a few things differently. For example I would create a bigger surface for my lid and main body part so that I could easily stick some magnet tape on the surface. This way, the user will be able to open the lid and change the battery if needed. Because of the way I designed my models I could only apply some double-sided tape to stick these pieces together which is not reliable.


Mood Board

I have always been very excited about understanding the possibilities of motion capture and VR and study  what can be created through these fascinating technologies. I always loved dancing and have been taking dance  classes since I can remember myself.  Therefore, I am interested in creating an experience that showcases the aesthetics in movement by explicitly tracing the movements of the dancers by overlapping various animation effects. I am a huge fan of simplicity so I don’t want to create an experience that over overemphasizes these movements and transforms them intro different forms. I want to create interesting thgeometric shapes with thin detailed lines that will simply enhance the movements and the overall experience.


Pinterest link


MoCap Week 1

Lab: Calibration and Rigidbody

This week we had the chance to experience the MoCap studio and the Motive software. We were successful in reaching an “Exceptional” result in calibrating the volume, locating and labelling the rigid bodies.

Below are the photos of our experience:

Camera calibration and determining ground plane.


We wanted to make sure that we get around 10,000 samples per camera.

Next, we assigned four rigid bodies and moved around to see if the tracking was accurate and consistent.

Research/Observations People’s walks

This week I have been continuing to work on my project and observing the way different people are walking. I did some research and found out that psychologists have been studying these assumptions for well over three quarters of a century, and their findings suggest that most of us do tend to make very similar interpretations of other people’s personalities based on their walking style.

One of the earliest investigations was published in 1935 by German-born psychologist Werner Wolff. He filmed five men and three women without them knowing, as they took part in a ring-throwing task while wearing overalls. When the participants watched back the films, which had been edited to hide their heads, they readily formed impressions of each other based on their walking style and there was often a lot of agreement in their judgments. Some of the descriptions given independently by the participants for one subject were:

“Pretentious, with no foundation for it.”
“Somebody who wants to gain attention at any price.”
“Conscious and intentional vanity, eager to be admired.”
“Inwardly insecure, tries to appear secure to others.”
“Dull, somewhat subaltern, insecure.”

It seems amazing that the participants formed such similar impressions for this subject and others.


In the late 1980s found that there are broadly two kinds of walks: the more youthful one and the older style movement. The former involving a more bouncy rhythm, more swaying of the hips, larger arm swings and more frequent steps, while the latter was stiffer and slower with more leaning forward. Crucially, the gait did not necessarily correspond to the walker’s actual age – you could be young with an old gait and vice versa. Furthermore, the observers assumed that people who walked with a younger style were happier and more powerful. This remained the case even when their actual age was made apparent by revealing their faces and bodies.

I recorded people walking back and forth in the microstudio. One thing I noticed is how people’s walk changes when they know they are being filmed and I think that’s really interesting and says something about them depending how much they change and in what way.



I had started a project for my ICM class last semester where  I wanted to track people’s walks and I am re-introducing this idea again for this class. Exploring how people walk can tell a lot about someone’s personality and it’s been a social experiment I’ve been wanting to do for a long time now.

Setting up the Kinect took a long time but I finally made it. I used several examples from Mimy’s class “Sense me move me” and started experimenting in p5. What I initially wanted to do is track how fast people are walking so I set up the head joints and wanted to track the speed from the minute the head enters the screen until it exits the screen. I was getting the speed in the console but I couldn’t get it on the canvas because I was getting an error and I couldn’t fix it.

Interacting using the Kinectron

After taking hours of trying to figure out this error I decided to just play around with the kinectron a little bit more and just see how I can “get” other joints and set different colors for different bodies that enter the screen. I also played a little bit with the Z axis and the sizes of the cyrcles according to the distance from the camera.

Bodies in Kinectron